Joplin · Dawn of Jazz

The Nonpareil

Scott Joplin

Details

Composer
Scott Joplin
When
published 1907
Key
B-flat major
Scoring
Piano
Length
about 3 min

Recording

Morning music at 7

Track info
Gnissahrecorded 2024

「The Nonpareil」Performed by Gnissahrecorded 2024Wikimedia CommonsPublic Domain

About this piece

What kind of confidence does it take to call a piece 'without equal'? That is what nonpareil means: an English word borrowed from French, used for something that has no match. Scott Joplin gave this bold name to a piano rag he published in 1907, around the time he moved to New York to start a new chapter.

At a glance

  • What it isa ragtime piece for piano in B-flat major.
  • Who and whenwritten by Scott Joplin and published in 1907.
  • What to listen forthe steady walk of the left hand, the right hand slipping off the beat above it, and the moment a new section begins.

Listen for

  • The left-hand walkin a rag the left hand usually alternates a low bass note with a chord, moving forward in an even oom-pah. It is the floor the whole piece stands on, so try following just this walk first.
  • Right-hand syncopationsyncopation means nudging a note ahead of, or just off, the place where the strong beat would fall, which gives the rhythm its spring. The left hand goes straight while the right keeps leaning sideways, and that tug is the flavour of ragtime.
  • Where sections changeclassic rags are usually built from several sections that follow one another. Listen for the moment a new section begins and the melody climbs higher or the mood shifts.

When it was written

Ragtime is piano music that grew up among African American musicians in the late nineteenth century. Joplin was raised in Texas by a father who had been enslaved and worked on the railroad, and a mother who did domestic work. As a young man he travelled the Midwest as a pianist, and in the 1890s he settled in Sedalia, Missouri.

The Maple Leaf Rag, published in 1899, made his name, and in 1902 he published The Entertainer. Around 1907, the year The Nonpareil came out, Joplin moved to New York. The following year, 1908, he published School of Ragtime, a set of exercises on how to play the style. He urged players not to play ragtime fast.

Scott Joplin

Joplin's ambitions went beyond short piano pieces. He wrote an opera, Treemonisha, and paid to publish the score himself in 1911, but he never saw it properly staged in his lifetime. By the time he died in New York in 1917, popular taste was already turning towards jazz.

His music was heard widely again in the 1970s. His rags were used in the 1973 film The Sting, and Treemonisha finally reached the stage. In 1976 he was awarded a special Pulitzer Prize.

A question to think about

In 1907 Joplin named this piece 'without equal'. Yet Treemonisha, the work he poured himself into, was never properly staged while he lived, and his music was widely recognised again only more than half a century after his death.

Is the worth of a piece of art settled at the moment it is made, or is it something people discover over time? Which works, or which people, around us today might not yet be getting the recognition they deserve?

The composer

Portrait of Scott JoplinScott Joplinc. 1868–1917More on Joplin →

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