Brahms · Romantic

Symphony No. 3

III. Poco allegretto

Johannes Brahms

Details

Composer
Johannes Brahms
When
premiered 1883
Catalogue no.
Op. 90
Key
C minor
Scoring
Orchestra
Length
about 6 min

Recording

Morning music at 7

Track info
Musopenrecorded 2012

「Symphony No. 3」Performed by Musopenrecorded 2012Wikimedia CommonsPublic Domain

About this piece

It is neither a vigorous dance nor a slow song, more like a memory walking a little briskly. The cellos are first to bring that memory out.

At a glance

  • What it isthe third movement of Brahms's Symphony No. 3 in F major. Instead of the fast scherzo usually found here, he placed a wistful movement at an easy pace.
  • Who, when, whyBrahms wrote it in summer 1883 in Wiesbaden, Germany, and premiered it in Vienna that December.
  • What to listen forthe cellos' opening melody, the woodwind middle section, and the passage where the horn sings the same tune again.

Listen for

  • The first melodythe cellos sing a longing minor-key tune, gently supported by swaying strings.
  • The middle sectionthe woodwinds trade a different, hesitant phrase.
  • The returnthe opening melody comes back, this time on the horn, then on oboe and violins. Enjoy hearing the same song in different voices.

When it was written

Brahms approached the symphony with such caution that he did not present his first until he was forty-three, reportedly because he was always aware of Beethoven's enormous shadow. The Third, by contrast, came relatively quickly, and became an unusual symphony in which all four movements end quietly.

In 1883 Brahms was fifty and enjoyed great fame as a German-born composer settled in Vienna. The premiere was given by the Vienna Philharmonic under Hans Richter. The melody of this third movement later appeared in films and songs, making it widely known even to people who don't know the symphony.

A question to think about

Brahms is said to have delayed his first symphony for years because he was so conscious of a great predecessor. Comparing ourselves with others can drive us to do better, but it can also keep us from starting at all. Today we see others' achievements endlessly online.

When does comparing ourselves with others become a force that helps us grow, and when a burden that stops us? What makes the difference?

In the composer's life

premiered 1883 · Brahms, aged about 50

born 18331883died 1897

The composer

Portrait of Johannes BrahmsJohannes Brahms1833–1897 · born in Hamburg, GermanyMore on Brahms →

For moods like

Longing · Lonely

moderate tempo · minor key · energy 2

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