VOL. 05 · Track 6 · 6 / 15

Elite Syncopations

A Joplin rag that puts syncopation right in its title. An even left-hand step meets an off-beat right hand in this piano piece from 1902.

Joplin · published 1902 · about 3 min

VOL. 05Ragtime: Joplin and Scott래그타임 — 조플린과 스콧

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Portrait of Scott JoplinThe composer of this pieceScott Joplinc. 1868–1917

About this piece

This piece carries the word syncopation in its very title, the rhythm that deliberately plays across the beat. It is a name that puts that rhythm up front. This is Scott Joplin's Elite Syncopations, a rag that came out in 1902.

At a glance

  • What it isa ragtime piece for piano.
  • Who, whenpublished by Scott Joplin in 1902, the same year The Entertainer appeared.
  • What to listen forthe 'oom-pah' step of the left hand, and the right hand slipping in between the beats above it.

Listen for

  • Syncopationlisten for the moments when the right hand strikes between the beats rather than on them and leaps forward. That is the very rhythm the title points to.
  • A steady left handin a rag the left hand usually alternates a low note and a chord to keep the beat even. However far the right hand strays, the left hand does not change its step.
  • When the section changes: a classic rag usually presents several sections of around sixteen bars each, one after another, with repeats. Try to catch where a new melody begins and the shape of the piece becomes clear.

When it was written

Ragtime is piano music that arose among African American musicians in the late nineteenth century. There was no radio yet, so people bought sheet music and enjoyed new music by playing it on the piano at home.

At this time Joplin was living in St. Louis, Missouri. Born in Texas, he had travelled from town to town playing piano, and he had already made his name with Maple Leaf Rag (1899), published in Sedalia, Missouri. In 1902 alone, The Entertainer and this piece both came out.

Joplin disliked ragtime played in a hurry, and in 1908 he published a book of exercises, School of Ragtime, asking players not to play it fast. He died in New York in 1917, and his music was loved widely again when his pieces were used in the 1970s film The Sting.

A question to think about

Elite means excellent, high-class. Here the word is attached to a rag, music often thought of as belonging to saloons and dance halls. Joplin hoped ragtime would be treated as serious music, but in his lifetime that hope was never fully met.

Has anyone ever called the music or hobby you love 'lightweight'? What makes a culture 'high-class': the music itself, or the eyes of the people looking at it?

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