VOL. 04 · Track 11 · 11 / 15

String Quartet No. 12 · I. Allegro

A movement in which the viola brings out a theme like a wide prairie above shimmering violins. It was written during a summer in a small Czech village in Iowa.

Dvořák · about 8 min

VOL. 04A Romantic Night낭만의 밤

This track plays with a membership. Tracks 1 and 2 are open to everyone.About membership

Portrait of Antonín DvořákThe composer of this pieceAntonín Dvořák1841–1904 · born in Nelahozeves, Czech Republic

About this piece

The two violins lay down a gently shimmering sound, and above it the viola brings out a theme that seems to gaze across open fields. The viola, usually hidden in the middle, is the first to sing here.

At a glance

  • What it isthe first movement of String Quartet No. 12, in F major, marked Allegro ma non troppo, fast but not too fast.
  • Who, when, whywritten in the summer of 1893, while Dvořák was staying in Spillville, a Czech village in Iowa.
  • What to listen forthe first theme brought out by the viola, and the color of its simple five-note melody.

Listen for

  • The viola's songover the shimmering violins, the viola presents the theme. Dvořák himself was a violist.
  • Five notesthe melody favors a five-note scale, giving it a simple, open feeling.
  • Cello and violinthe cello and violins then take up the theme and spread it wide before moving to a gentle second theme.

When it was written

In the summer of 1893, having finished his first year in New York, Dvořák went with his family to Spillville, a small village in Iowa. Czech immigrants lived there together, so Czech was spoken and there was a Czech church, where he even played the organ.

Dvořák noted in the score that he finished the sketch of this quartet in three days and completed the piece in a little over two weeks. Many listeners feel that the easy summer he spent in a village so like home lives on in the quartet's bright colors.

A question to think about

Far away in America, Dvořák found comfort in a village where people from his homeland lived together. Today, too, immigrants in a strange country often gather into communities.

Do communities where immigrants live together help them adapt to a new society, or do they create distance from it? What is needed to keep the culture of home while becoming part of a new society?

About this piece →